You may have already heard about my preparations for taking my work to show in Sydney, and if you did miss it, follow along on my Instagram back a few weeks. Now it’s all over and the dust has settled. I even managed to edit video documentation. More on that later…
One day in early July, we loaded up my little Toyota Corolla with art, bags, snacks, and road trip music/podcasts and started the long drive to Sydney. It is far, far away! I am a bit of a novice to long car trips, so that was an experience. It felt like a real achievement when we finally arrived.
…to show my work somewhere outside of Victoria. I’m not a huge setter-of-goals, only informal ones. But I put out a few feelers and much to my delight, my proposal to exhibit was accepted by Gaffa in Sydney!
I’ll be showing an installation of vinyl and 6 works on aluminium panel from 6th to 17th July.
If you follow me on Instagram, you may have watched the work unfold. But in case you didn’t catch that, here are some shots (along with a few extra shots) of the work unfolding in the studio.
Showing work in an overseas exhibition, now that would be pretty fantastic. I would even settle for oversea instead of overseas to begin with, Tasmania notwithstanding. It is a Strait after all, not a sea, but I have my sights set on you too Tassie. Friend and art school compadre, Eva Heiky Olga Abbinga curated a group of Australian artists, myself included, in a show in Penang this past month opening September 12. Eva’s goal was to create connections between art communities in Melbourne and Georgetown, Penang and she received some fantastic support through the Australia Council for the Arts and raised money from generous donors through the Australian Cultural Fund. With this in mind I began to consider the theme of the exhibition, colour.
What’s as challenging as painting really large? That would have to be forcing grand scale ideas into a small box. That’s what I did earlier this year with fellow artists Larissa MacFarlane and Ilona Nelson. The Hobsons Bay City Council’s Orbital space consists of four light boxes and a tiny peephole. Working together with Orbital curator, Heather van Heerwaarden, we put together Three-In-One.
With my solo exhibition at Rubicon ARI now open, I can reveal some details of the work in progress. I was working with a Casper David Friedrich painting in mind, sloughing off its canvas and crossing the thresholds of the room, with colours lifted from his landscape.